A graduate of the National Theatre School of Canada, Victoria’s recent design credits include Kill Me Now and Double/Double, for Workshop West, Porc-Épic, L’Homme de la Mancha, Grace et Glorie, La peau d’Élisa, À la gauche de dieu, and L’Homme du hasard, for l’Unithéâtre, as well as lighting design for Theatre Yes’ production of The List. Other credits include set and lighting design for Lenin’s Embalmers (WJT and Harold Green Theatre), set and costume design for The Woodcutter (CCTC), projection design for Studio Theatre’s After the Fall, Covenant Theatre’s Kingfisher Days, and l’Unithéâtre’s Lentement la beauté; set design for the Second Playing Space’s Bearing Witness and the Saidye Bronfman Centre and Canadian Stage productions of The Glass Menagerie; costume design for Centaur Theatre’s Long Day’s Journey into Night, Copenhagen, and Theatre Calgary’s The Cripple of Inishmaan. Film and television credits include set design for Muse Production’s The Neverending Story.

(bio for Proud: October 2014)